You re not mixing in the studio.
Live sound mixer with compression.
Audio compression is the process of reducing the dynamic range of a sound.
Live sound is largely correcting problems with subtractive eq.
Record live performances band practices theater performances speaking events and any other live sound event onto your computer for additional editing mixing and post production.
This compression occurs when the volume level signal exceeds a specified level.
Don t be afraid to really dig into the more technical concepts like compression and eq.
This is the same compression as used above but with a fast attack.
There are a few possible ways to deal with this.
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Typically when different instruments are plugged in and amplified they need a central source to control volume levels and.
The clean drum loop with no compression applied.
Built in compression 48 volts of phantom power and smooth digital effects including reverb create a strong clean sound.
Opto compression with a slow attack and release 6 1 ratio and a very low threshold.
These usually include lots of dsp digital signal processors like eq compression limiting and stereo imaging.
First you could have the live audio engineer at your church create the mix with your current sound board by mixing to an aux.
This is the classic drum pumping sound.
But most importantly they allow you to split a stereo signal to eight or more outputs which gives you the freedom to include multiple subs.
In practical terms when a singer decides to belt out the chorus instead of jumping for the fader the compressor does the work for you.
Mixing live sound isn t easy but once you get the hang of it you ll be doing fine.
To create a separate mix there are two options.
If you already own one of them and want to upgrade to.
This bundle includes our flagship mixing with compression course in addition to mixing drums with compression and multiband compression workshop at a discounted rate.
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It s really a lot more than just riding faders and setting gain though.
Occasionally more than 2 subwoofers are required for a gig in which case you ll need to use a speaker management system.
Sure it s fun to roll off some of the top end on your hall reverb but don t let that distract you from the things that actually need attention.
For better results you should have another person mix the live stream in an acoustically isolated location.
Compression should be used sparingly.
Don t go crazy with the eq.
Fet compression with a 2 1 ratio medium attack and release and the threshold just peaking.
